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Sara Ludy's abstractions probe the psychic charge of Photoshop
Sara Ludy, Acid Cloud (2015, digital video) embedded on rhizome.org.Sara Ludy's video works will be on the front page of rhizome.org all week as part of the ongoing online digital painting exhibition...
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Artist Profile: Lou Cantor
The latest in a series of interviews with artists who have a significant body of work that makes use of or responds to network culture and digital technologies.Lou Cantor, "The Labor of Watching"...
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9 billion paintings by Michael Manning
A recombinant series of digital paintings by artist Michael Manning will be on the front page of rhizome.org all week as the final work in the ongoing online exhibition "Brushes," presented by Rhizome...
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Always-Already a Ghost: Laura Brothers featured on Net Art Hell
Laura Brothers, come and be real for us (Dec 25, 2007). Detail area of 803 x 840 digital image.Artist Laura Brothers, whose work was included in the online exhibition "Brushes" (co-presented by Rhizome...
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EITHER WE INSPIRE OR WE EXPIRE: New work by Liam Gillick and Nate Silver
EITHER WE INSPIRE OR WE EXPIRE (2015) by artist Liam Gillick and data journalist Nate Silver considers technological failure and its lack of visibility in a society obsessed with success.Created as...
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Why is Deep Dream turning the world into a doggy monster hellscape?
Raphaël Bastide, Handmade Deep Dream (2015). If this were a real Deep Dream image these would be dogs probably.Participants in social media will by now be well aware of the artistic renaissance that...
View ArticleSome news from Rhizome HQ
A bittersweet announcement: after serving for three years as Executive Director of Rhizome, Heather Corcoran will step down from her position at the end of September to join her partner in the UK.From...
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Now Accepting Nominations: The Second Prix Net Art
Chronus Art Center, Rhizome, and TASML are pleased to announce the second edition of the Prix Net Art, a $10,000 prize for net art. The prize will recognize the future promise of an artist making...
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I made $500 working from home thanks to Rhizome's Microgrants! (and lost it...
Rhizome is accepting proposals for its $500 microgrants until July 23. Here, one of last year's awardees shares her experience.You can tell that my hired hacker is good at computers by his effective...
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The One Hour Photo Lab as Exhibition Venue
One summer during college, I worked in a one-hour photo lab in a mall near my hometown. A big part of the job involved squinting at 35mm negatives and assessing the necessary color balance and...
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Notes on a definition of Net Art based on what I remember from a borrowed...
WWWWWWWWWW.JODI.ORG (1995)Lately, I've been feeling a sense of inhibition relating to Josephine Bosma's book Nettitudes, which I've had checked out from the library for the past six months. I started...
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#Review: The New York Times reviews "Design and Violence" at moma.org
Image generated by Online Art Critic (Terry Towery, 1997)Online exhibitions are nothing new—here's Oliver Laric's incomplete timeline of the form from 2013 (he created this when ARTPLUS called theirs...
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Artist Profile: Lilah Fowler
The latest in a series of interviews with artists who have a significant body of work that makes use of or responds to network culture and digital technologies. Lilah Fowler, Module 1 (composition in...
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Feed my Feed: Radical publishing in Facebook Groups
Robert M. Ochshorn, The App and the Territory (2014)These days, Facebook is so widely used that opting out constitutes an act of defiance of the norm. The refusal to participate can be made for...
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Artist Profile: Adham Faramawy
The latest in a series of interviews with artists who have a significant body of work that makes use of or responds to network culture and digital technologies. (This post contains nudity.)Adham...
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Data Ontology: James Bridle on secrecy, surveillance, and the limits of...
A new exhibition by writer/artist/publisher/technologist James Bridle, "The Glomar Response," is on view through September 5, 2015 at NOME, Berlin. Here, Bridle discusses the exhibition with Fiona...
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Parallax Maps: Joe Hamilton's indirect.flights
Joe Hamilton, Indirect Flights (2015). Screenshot, detail.Indirect Flights (2015), an online work by Joe Hamilton with sound by J.G. Biberkopf and support from The Moving Museum, blends satellite...
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Artist Profile: Michael Staniak
The latest in a series of interviews with artists who have a significant body of work that makes use of or responds to network culture and digital technologies.Michael Staniak, IMG_800 (2014; image...
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